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#SayNoToRape: Is Nigeria Safe For The Female Gender?

Jenny Soul by Jenny Soul
June 4, 2020
in Blog, Radio Talk
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RapeAll over the news lately, there has been a call for justice for the alleged raping and killing of two young ladies; one of them a freshman student of the University of Benin, and the other, a student of the Federal College of Animal health and production (FCAHPT), Ibadan.

The rise in the rape incidence so far, has sparked a rage of outbursts, and the question on the lips of every female Nigerian is; Are We Safe? Certainly, these are trying times in the country, and such a hard time to be a female living in the country. 

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Asides the rape incidence, there was also another report of the death of a teenage girl; Tina, who was shot by a trigger happy officer, in Lagos, and it appears that the spotlight has been shifted to the female species as they also undergo a sort of extinction in regards. 

Why Rape?

Why should a lady be forced to get intimate with a total stranger, regardless of her defiance to carry out the deed? Some have argued that dressing has played a huge role in aiding and abetting this dastardly act. 

However, there is no truth in this speculation as Barakat Bello, the 100 level student of FCAHPT was raped and killed in her home, and this also includes the fact that she was a hijabi sister. 

It is also arguably so in the north, where a large number of ladies are Muslims and are obliged to be covered up in Hijab, and some of the extreme measures include being covered up from head to toe and have even been given side names like “Eleha” in the western parts. 

Regardless of such stringent laws on dressings, there is still a notable amount of rape cases being recorded in those parts and the worst part, is many are swept under the carpet, due to sentimental reasons, and of course stigmatization. 

There is absolutely no reason on earth that can be granted as an excuse for a man to forcefully get intimate with a lady against her own will. This is because there a lot of express rides men are granted to fulfil their lustful desires without going violent against an innocent lady. 

A New Dawn

Thankfully, society has evolved from the time when ladies were being stigmatized and blamed for their own rape, to the victims even calling out the perpetrators of such evils on social media. Sadly, the majority of these noble causes only end on the other side of the keypad. 

Nigeria as a country is not ready for the next level that would involve everyone being active on each case. The only time individuals tend to take serious action is when the pendulum swings and they are affected, in the form of the rape of a sister, aunt, friend or even mother. 

Eradicating rape boils down to the smallest family system. Training the boys, who are potential men and letting them know that getting intimate with a lady against her will is terrible and punishable by all measures. Teaching them to not only respect their mothers, but also their sisters, friends, cousins, and even teachers are steps in the right direction and of course the birth of the much-desired change. 

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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