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Wole Soyinka Criticizes Peter Obi, Citing Unfitness for Leadership

Jenny Soul by Jenny Soul
May 24, 2024
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Wole Soyinka Criticizes Peter Obi, Citing Unfitness for Leadership
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Nobel laureate Wole Soyinka has stirred controversy by publicly criticizing Peter Obi, the Labour Party’s presidential candidate in Nigeria’s 2023 election.

Soyinka declared that Obi is “unfit” to lead the country, further alleging that Obi is responsible for the online trolls who have directed insults at him.

Soyinka, known for his outspoken views on political figures and issues in Nigeria, often generates significant attention and debate with his comments.

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His critique of Obi is no exception, reflecting the deeply polarized nature of Nigerian politics.

Soyinka’s stature as a respected writer and intellectual lends weight to his statements, but it also subjects them to intense scrutiny and opposition, especially from supporters of the figures he critiques.

When asked about the “Obidient” movement, Soyinka’s critical perspective is likely to provoke strong reactions, illustrating the passionate support for Obi and the broader political engagement in Nigeria.

The ongoing discourse around Soyinka’s remarks underscores the complex and contentious landscape of Nigerian politics, where influential voices and grassroots movements interact dynamically.

In Wole Soyinka’s words:

It has to do with education. I didn’t read all these (insults by Obidient Movement) but of course, some links were sent to me, especially when facts were ‘being manufactured’.

“When I read these things, I was disgusted. There’s no other word for it. I really was disgusted and I know that it was orchestrated.

“I know that there is a relay mechanism, which is triggered into action by those who control what we call the trolls of the Internet, and so my disgust and contempt.

I just went about my business, you know, because nobody, anybody on this earth who thinks they can stop me telling the truth as I see it needs to have his or her head examined. It’s as elementary as that.

But it is depressing to see those who wanted to be political leaders encouraging that kind of action, that kind of attitude in the youth. And my mind went to the expression, ‘They don’t know what they’re doing’.

Those who sow the wind will reap the whirlwind. “One of these days, they would be astonished, they would turn on them and teach them a lesson. And so, my attitude was very blasé and it is for me a sad phenomenon, especially for those who want to lead multi-textured (society)- different religions, different ethnic groups, different worldviews – who actually want to preside over such a group as one. It means that they have already declared themselves incompetent to lead such an entity.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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