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The Type Of Women, Men Never Date

Jenny Soul by Jenny Soul
June 5, 2021
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The Type  Of Women, Men Never Date
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When it comes to relationships, there are certainly types of women, men never date. in searching for who to date and settle down with, there are certain types of women, men avoid at all cost.

In relationships, men can be said to be hunters, they go in search of women who makes them feel at peace with themselves.a kind of woman who makes them feel homely. A woman who does not make them pretend but who makes them be themselves.

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Chemistry is important when you meet someone, but compatibility is what takes you far. You definitely must feel chemistry for someone you want to date and marry. Chemistry can be said to be that feeling that draws you to someone and compatibility is that instance where both the personalities and traits blend with each other.

Now let’s look at the type of women men never date

 

THE OVERLY APPEALING WOMAN: this type of woman is overly appealing, very charismatic she is a social freak and is very overly charming she overdresses & looks very charming and men know that, that is all she is and has nothing to bring to the table. This type of woman looks extra charming and very sexually  appealing and for most times, men know that she most likely isn’t homely. If all you do is focus on your looks and don’t work on others part of your life, men will most likely not date you

Jennysoul.com The Type of Women Men Never Date

 

THE NARCISSIST WOMAN: she is the type of woman, who never says sorry, feels no need to  be apologetic she never takes criticisms, never allows you to be with your friends; she will make you feel bad for leaving her.  ‘Good Boys”are the victims of a narcissist woman. The narcissist woman will tie a man down with pregnancy. The “Good Guys” always fall victim to this type of woman because they are sensitive. They listen to those women and always want to keep their promises. They always fall prey to Narcissist.

 

THE CODEPENDENT WOMAN: who always wants to be looking her best but has nothing to bring to the table. She appeals to man who ove to be obeyed. she is always less educated and doesn’t want to be pushed. She is contently hell bent and depended on you

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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