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‘Peter Obi Confirms Bianca’s Story about his Visit to the US’

No Apologies on Peter Obi’s Supposed ‘Stinginess’- Iyom Bianca Ojukwu

Jenny by Jenny
June 22, 2022
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Peter Obi and Bianca 1
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Peter Obi and Bianca 1

A recent trend on social media captured Bianca’s unapologetic confirmation of Peter Obi’s “stinginess” on the 16th of June. This was a reaction to Rev. Fr Mbaka’s comment about Peter Obi being too stingy to rule Nigeria.

Peter Obi, Bianca and Rev Fr. Mbaka

 

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In Bianca’s statement, she mentioned that Peter Obi had refused to purchase a 3,985 dollar suit for an occasion in Texas where he was expected to deliver a get-well message from Dr. Goodluck Jonathan. He had alternatively purchased a suit worth 220 dollars thereby saving 3,380 dollars.

She stated that to her greatest shock Peter Obi gave her an envelope containing 3,380 dollars while they accompanied him to the airport on his departure. He stated as she quotes,

 

“ Anyanwu, this is the balance of the money I would have paid for the ‘Ford’ suit. If the label on the suit was ‘Peter Obi’, I am wondering if anybody in America will pay that amount for it. I have deducted the amount we paid for that suit we eventually bought. Please use this balance for your Charity foundation to help those in actual need. I trust you will do so’. 

 

She further clarified that this amount was used to save three families that were in dire need of support. In her statement she said;

“The eventual beneficiaries of that Largese were Madam Theresa Agbo, a yam seller who became penniless and displaced when her Yam shed was gutted by fire, Callistus Egbe who was bedridden due to illness and needed help with the school fees of his young children, and the Mgbemena family of six who were thrown out of their one-room accommodation (which we subsequently doubled to two rooms) because their breadwinner fell upon hard times and could no longer afford the rent.”

Peter Obi and Bianca 2

On the 20th of June, being fathers Sunday, Peter Obi confirmed Bianca’s narrative to be true during the Father’s Day celebration in St Raphael the Archangel Catholic Church Anthony Lagos.

Having graced this occasion, the congregation of St Raphael the Archangel Catholic Church was opportune to be addressed by the presidential aspirant Peter Obi who was not ignorant of the recent trends following his decision to run for the presidency.

He confirmed to be meticulous about his expenses stating that there are millions of people living in poverty and deprivation. He explains that he would rather spend money saving lives than look good in a piece of an expensive suit.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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