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NCAA Warns Turkish Airlines Over Mistreatment of Nigerian Passengers

Baridilo Kpegeiye by Baridilo Kpegeiye
May 23, 2024
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The Nigerian Civil Aviation Authority (NCAA) has issued a stern warning to Turkish Airlines regarding the mistreatment of Nigerian passengers.

NCAA’s Director of Public Affairs and Consumer Protection, Mr. Michael Achimugu, revealed to newsmen on Wednesday in Lagos that the organization would not hesitate to enforce relevant sections of its regulations to sanction the airline.

Achimugu stated that President Bola Tinubu had directed the NCAA, the Federal Airports Authority of Nigeria (FAAN), and other relevant agencies to ensure the protection of Nigerian passengers’ rights at all times.

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The NCAA is currently mediating a dispute between Turkish Airlines and aviation labor unions, who recently picketed the airline’s operations at the Murtala Muhammed International Airport in Lagos.

The picketing has resulted in over 300 Nigerian passengers being stranded at the airport after Turkish Airlines canceled flights to and from Istanbul. Achimugu emphasized that the Federal Government and its agencies would not tolerate any violations of Nigerian passengers’ rights by any airline, including foreign carriers.

The Director-General of NCAA, Capt. Chris Najomo, initiated reconciliatory efforts through a virtual meeting with the Country Manager of Turkish Airlines and the unions. However, Achimugu reported that the airline’s representative displayed impudence, including engaging in a shouting match and banging the table during discussions with the NCAA.

“The NCAA is currently investigating the circumstances surrounding Turkish Airlines’ inability to operate flights out of Lagos Airport due to the picketing of its operations by aviation unions,” Achimugu said. “We will ensure that the rights of Nigerian passengers are not violated.”

He reiterated that the NCAA would not hesitate to implement stiff penalties and sanctions if Turkish Airlines is found culpable. The Federal Government, he added, is committed to ensuring that no airline tramples on the rights of Nigerian passengers.

Achimugu also mentioned that Turkish Airlines claimed to have communicated with passengers via electronic mail about the ongoing operational hitch, but some passengers still showed up at the Lagos Airport unaware of the situation.

“The behavior exhibited by the Country Manager towards the NCAA is unacceptable,” Achimugu continued.

“At the end of our findings, if the airline is found culpable, we will invoke the relevant parts of our regulation Part 17 to mete out the right punishment.”

The Nigerian government is taking every necessary step to address the issue and ensure that the rights of Nigerian passengers are safeguarded, maintaining a firm stance against any foreign airline that disregards the dignity and welfare of its citizens.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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