Iran has unveiled a massive billboard threatening US President Donald Trump in Tehran, escalating its anti-American rhetoric amid the ongoing conflict between the two countries.
The billboard, displayed above the busy Enghelab Square on Tuesday, November 3, 2026, depicted Trump behind bars with his head bowed and carried the threatening message, “We will kill Trump.”
The development comes as tensions remain high between Tehran and Washington, despite renewed diplomatic efforts aimed at preventing further fighting.
According to Punch Newspapers and Channels Television, the billboard was accompanied by additional banners and displays attacking the US president and other American and Israeli officials.
The latest installation has attracted international attention, particularly because it appeared while diplomatic discussions were reportedly underway to find a possible resolution to the conflict.
READ ALSO: Blessing CEO Publicly Apologises to People She Hurt
1. Iran Displays Billboard Threatening Donald Trump
The massive billboard erected in Tehran’s Enghelab Square featured an image of Donald Trump behind bars, with his head bowed.
The display carried the explicit message, “We will kill Trump,” representing one of the latest public expressions of hostility towards the American president.
The installation was accompanied by banners carrying similar messages across the Iranian capital.
The billboard has attracted attention because of its size, location and direct language targeting the sitting US president.
However, the public display represents political rhetoric and does not independently establish the existence of an operational assassination plan.
2. Another Billboard Shows Trump, JD Vance and Netanyahu
The Enghelab Square display was not the only anti-American installation unveiled in Tehran.
Another billboard reportedly featured Trump alongside US Vice President JD Vance, special envoy Steve Witkoff and Israeli Prime Minister Benjamin Netanyahu.
The figures were depicted with bloodied faces and ragged suits against the background of worn-out American and Israeli flags.
The imagery appeared designed to portray the leaders as defeated or humiliated during the conflict.
The display also reinforced Tehran’s broader political messaging against Washington and Israel.
3. Crowds Gather in Tehran Calling for Revenge
The billboard attracted gatherings of people in Enghelab Square, where demonstrators waved red flags and carried banners.
Some banners reportedly displayed the message, “There will be blood.”
The crowd also called for revenge following the killing of Iran’s former supreme leader, Ayatollah Ali Khamenei.
Khamenei was killed in US-Israeli strikes on February 28, 2026, at the beginning of the conflict.
The demonstrations reflected the anger displayed by sections of the Iranian public and the political symbolism surrounding the country’s leadership during the war.
4. Anti-Trump Displays Have Become Common in Tehran
The latest billboard follows several previous installations mocking Trump and portraying the United States as defeated.
Since the conflict began, Tehran has repeatedly displayed political messages targeting the American president.
Some installations have portrayed Trump in humiliating situations, while others have communicated messages of retaliation and resistance.
These displays have become part of the visual atmosphere of the Iranian capital during the conflict.
The latest billboard represents another example of how political messaging has been used to reinforce hostility towards the United States.
5. Tehran Exhibition Features Violent Paintings of Trump
Beyond the billboards, an open-air exhibition at Tajrish Square in northern Tehran featured paintings attacking the US president.
One painting reportedly showed Trump lying face-down on the ground with a bloodied face while a foot pressed against his head.
Another artwork depicted a bomb covering his face.
The second painting appeared to reference Belgian surrealist artist René Magritte’s 1964 work, The Son of Man, which famously features a man’s face obscured by an object.
The exhibition presented additional imagery portraying Trump as injured, humiliated or defeated.
These artworks formed part of the broader anti-American displays appearing in Tehran during the conflict.
6. A Life-Sized Prison Cell Features an Actor Playing Trump
Another striking installation reportedly featured a life-sized replica of a prison cell.
An actor impersonating Trump spent the day inside the cell, creating a public performance that appeared intended to ridicule the American president.
An adjoining screen displayed images of destruction reportedly caused by US strikes on Iran.
The installation combined political theatre, visual propaganda and public exhibition to communicate Tehran’s message against Washington.
The use of an actor portraying Trump also added a performative element to the demonstrations and exhibitions.
7. Iran and the United States Continue Diplomatic Efforts
The provocative billboard appeared as diplomatic efforts continued to bring Tehran and Washington into negotiations.
President Trump has indicated that an agreement with Iran remains possible, although tensions between the two countries have continued.
The conflict has spread across the region and contributed to economic uncertainty, including rising prices and concerns about energy supplies.
Iran has accused Trump of deliberately targeting civilian locations during the war, including a school and a wedding ceremony, resulting in dozens of deaths.
Those accusations have not been independently established in the reporting cited here and remain allegations made by Tehran.
The latest anti-Trump displays therefore come against the background of military confrontation, political hostility and efforts to prevent further escalation.
Why Political Billboards Are Important in Iran
State-sponsored billboards and murals have been a prominent feature of Iranian public spaces since the 1979 Islamic Revolution.
They are commonly used to commemorate political allies, honour military figures, celebrate national events and communicate messages against foreign adversaries.
The United States and Israel have frequently been targets of such displays.
During periods of heightened tension, these installations can become especially visible expressions of the government’s political position.
The latest billboard threatening Trump demonstrates how public art and political messaging have continued to play a role in Iran’s response to the conflict.
Conclusion
Iran’s latest billboard threatening Donald Trump has intensified attention on the hostile political rhetoric surrounding the conflict between Tehran and Washington.
The massive display in Enghelab Square, alongside paintings, banners and a prison-cell installation, reflects the growing use of public imagery to communicate anger and demands for revenge.
Although diplomatic efforts reportedly continue, the provocative displays underline the difficult political atmosphere surrounding negotiations and the wider regional conflict.
The billboard is another reminder of how political propaganda, public exhibitions and symbolic imagery have become part of the confrontation between Iran and the United States.
