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Yvonne Jegede Apologizes to May Yul-Edochie for Comments on Polygamy

Jenny Soul by Jenny Soul
June 12, 2024
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Yvonne Jegede Apologizes to May Yul-Edochie for Comments on Polygamy
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Actress Yvonne Jegede has issued a public apology to May Yul-Edochie, the estranged wife of actor Yul Edochie, for her recent remarks on Yul’s decision to practice polygamy.

During a podcast interview, the single mother of one stated she saw nothing wrong with Yul taking a second wife, asserting that many critics come from polygamous families themselves.

“You see this same Yul Edochie, ehn, 99% of people that are abusing him on the internet are from second wives, third wives, fourth wives, and even fifth wives. Sometimes some of them come from wives the family does not even know about; let’s all stop being silly on the internet.

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He is owning his BS with his chest, but nobody is going to support him, not even me. I have to stand with the crowd so they don’t curse me. I don’t see anything he’s done wrong; most of us are from second wives,” Jegede said.

Jegede further questioned the double standards in polygamous relationships, referencing the acceptance of Ned Nwoko and Regina Daniels’ marriage while Yul faces criticism.

“Why are we cursing the guy? They would curse him and leave Ned Nwoko alone, and say Regina Daniels is your prayer point, and she’s the only one that can advise you about marriage. These are the comments I see.”

Following backlash on social media, where many felt her comments were insensitive to May Edochie, Jegede released a statement expressing regret. She acknowledged that her words were misconstrued and apologised for any pain caused.

“I deeply regret that my comments were perceived as adding to her distress. It was never my intention to cause any pain or disrespect. I am truly sorry,

I want to clarify that my remarks about polygamy were meant to reflect its cultural context and to emphasize that how it is practised is crucial. My goal was to convey that polygamy is part of our culture, but what matters is how it is approached.

Unfortunately, this message was lost in my articulation. I want to stress that my comments were not intended to trivialize the pain of Mrs. May Edochie or any woman going through similar struggles. I do not claim to have advanced knowledge of the personal circumstances between Yul Edochie and his ex-wife

I firmly believe that everyone deserves love, attention, and care most especially women. I apologize if my statements did not effectively convey this sentiment. I am grateful for the opportunity to clarify my intentions and express my sincere apologies to anyone who was hurt by my words.” She explained.

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Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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