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Police Investigate E-Money in N1.2bn Dispute with Lagos Firm

Baridilo Kpegeiye by Baridilo Kpegeiye
May 9, 2024
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Police Investigate E-Money in N1.2bn Dispute with Lagos Firm
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Emeka Okonkwo, popularly known as E-Money and the CEO of Emy Cargo and Shipping Services Limited, is currently under investigation by the Force Criminal Investigation Department Annex, Alagbon, over an alleged N1.2 billion dispute with a Lagos-based vehicle dealing company, Autocorp Limited.

According to a police source familiar with the case, who spoke on condition of anonymity, Okonkwo and the aggrieved party have been summoned for questioning, with further meetings scheduled to delve into the matter.

In a bid to unravel the truth behind the disputed sum, our correspondent engaged Patricia Iduwre, the sales manager of Autocorp Limited. Iduwre revealed that the company had engaged Okonkwo to clear eight vehicles in 2020/2021, consisting of six TXL Prado and two Lexus jeeps, valued at N1.2 billion.

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However, despite Okonkwo clearing the vehicles, Autocorp Limited has yet to take possession of them. Confirming the ongoing investigation, Aminat Mayegun, spokesperson for the FCID Annex, Alagbon, disclosed that Okonkwo had been cooperative and that both parties would be summoned for further discussions.

Iduwre explained, “We entrusted Okonkwo with the clearance of these vehicles, valued at N1.2 billion. However, he recently claimed to have sold the vehicles, citing an alleged debt owed to him, which we vehemently deny. Despite legal intervention and police involvement, Okonkwo’s explanations remain unsubstantiated.”

Raymond Olaiya, the legal representative of Autocorp Limited, described the situation as one of “stealing, fraudulent conversion, and criminal sale” in a petition to the FCID.

In response to the allegations, Okonkwo denied any wrongdoing but confirmed the existence of a business transaction between both parties. He expressed willingness to provide further details upon his return.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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