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Ogun State Chief Judge Grants Amnesty to 49 Inmates to Alleviate Prison Overcrowding

Jenny Soul by Jenny Soul
May 2, 2024
in Blog
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Ogun State Chief Judge Grants Amnesty to 49 Inmates to Alleviate Prison Overcrowding

Angola, LA - 7/14/2015 - Inside a "CBD" Administrative Lockdown cellblock at Angola. The Louisiana State Penitentiary (LSP, also known as Angola, and nicknamed the "Alcatraz of the South" and "The Farm") is a maximum security prison farm in Louisiana operated by the Louisiana Department of Public Safety & Corrections. It is sometimes called "Angola" after the name of the post office that serves the prison. It is the largest maximum security prison in the United States with 6,300 inmates and 1,800 staff. It is located on an 18,000-acre (7,300†ha) property that was previously the Angola and other plantations owned by Isaac Franklin in unincorporated West Feliciana Parish, directly adjacent to the Mississippi state line. The prison is located at the end of Louisiana Highway 66, around 22 miles (35†km) northwest of St. Francisville. Angola is bordered on three sides by the Mississippi River. Since 1995, Burl Cain has been the warden. Death row for men and the state execution chamber for both sexes are located at the Angola facility.

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The Chief Judge of Ogun State, Justice Mosunmola Dipeolu, has taken steps to ease the burden of overcrowding in correctional facilities by granting pardon to 49 inmates.

This initiative was part of a jail delivery exercise conducted at Oba, Ibara, and Ilaro Correctional Centres in Ogun State.

Of the total, 31 inmates from Oba Correctional Centre, 15 from Ibara, and three from Ilaro prison were released.

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Justice Dipeolu emphasized that the exercise aimed to alleviate congestion in the facilities. She explained that the cases of inmates were thoroughly reviewed, and those deemed deserving were granted freedom.

During her visit to the correctional facilities, she expressed concern over the poor conditions and overcrowding, particularly for those awaiting trial.

The Chief Judge underscored the urgency of addressing overcrowding to prevent unnecessary deaths and ensure humane conditions for inmates.

While acknowledging efforts made by the managers of the correctional centers, she urged them to intensify measures to improve conditions further.

Furthermore, Justice Dipeolu stressed the importance of expediting justice and providing rehabilitation opportunities to tackle the underlying causes of congestion.

In response, Saliu Adepoju, Controller of the Correctional Centre, commended the Chief Judge for her commitment to justice and upholding judicial standards.

The Chief Judge was accompanied by a team of Judges from the State High Court and the Director of Public Prosecution Management during the exercise.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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