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“Nothing is too small,” laments Anyim Vera as she appeals to Nigerians for aid in securing a new residence amid concerns over her newfound celebrity status

Baridilo Kpegeiye by Baridilo Kpegeiye
April 26, 2024
in Blog
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“Nothing is too small,” laments Anyim Vera as she appeals to Nigerians for aid in securing a new residence amid concerns over her newfound celebrity status
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Anyim Vera, a social media sensation thrust into the limelight following her controversial testimony about her BSc in Law, is now seeking assistance from fellow Nigerians to locate a suitable dwelling.

Expressing apprehension regarding the potential security risks associated with her elevated status, Anyim Vera disclosed her return to Abuja from Port Harcourt after enjoying an all-expenses-paid retreat at the Portland Resorts Hotel.

However, she voiced discomfort with her current accommodations, citing the looming threat of security vulnerabilities stemming from her newfound notoriety.

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The policewoman highlighted the unsettling shift in public scrutiny directed towards her, fueled by the recent influx of monetary attention.

In her words:

She said:

“I’m back to Abuja, I want to thank God for the successful journey granted me and my team. I want to say to Nigeria, you know this thing that happen is a things of joy, I never dream of it, it came this moment, i never dream of being a celebrity. It just came all of a sudden.

I never prepared for it. I want to use this medium to urge us to assist me in accommodation because I am not buoyant now to rent a house, where I am staying now is risky, insecurity, and is very open place, and due to everybody has already know I am a celebrity.. when I left Abuja some people in my compound don’t know what was happening but I was there and so many of them have heard what was going on. And some have said they are waiting for me, my brother that stays with me told me that people gathered all waiting for me, common man on the street might not understand this, you know they may think I have gone to Port Harcourt and they have given me a much money, they have given me phone worth 1.8m, land, and so on. That is why I am voicing out asking for assistance to unable me get a place I can stay so that my life can be safe.

As I’m talking to you, I’m just hiding myself so that people will not come and be misbehaving at my side…So please if there is anyway you can help me for me to get accommodation where I can be secured as a human being, intelligent people know what I am talking about. Things like this I don’t need to move or stay anyhow, if you don’t mind you can assist me, nothing is too small.”

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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