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NLC Strike Suspension and Celebrity Reactions

Jenny by Jenny
June 4, 2024
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The Nigerian Labour Congress (NLC) and the Trade Union Congress of Nigeria (TUC) have officially suspended their strike action following a series of intense negotiations with the government concerning the national minimum wage.

However, during the strike, Nigeria experienced a complete shutdown of the national grid, plunging the country into darkness and triggering widespread reactions from citizens and celebrities alike.

Falz

Rapper and activist Falz found himself stranded in Uyo due to the strike. He shared his ordeal on Instagram, detailing how closed airports and cancelled flights disrupted his travel plans. Despite the inconvenience, Falz expressed unwavering support for the strike, suggesting it should have occurred sooner.

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“That’s how I woke up this morning, set out to go to the airport only to find that the airport is closed and all flights are cancelled because of the strike. I can’t make it to Lagos and I’m now stuck in Uyo.

Despite the fact that it really affects me, I understand the need for the strike and I’m with them. I’m with the Labour because at the end of the day, werey ni awon people yi. They’re mad. The strike should have happened earlier than now in fact.”

 

Mr Macaroni

Popular comedian Mr Macaroni used his platform on X (formerly Twitter) to criticize the Nigerian government’s failure to provide basic amenities and respect fundamental human rights.

His posts highlighted the frustration many Nigerians feel toward the political elite.

“Nigerians wey no get wahala. I wonder why our politicians can’t simply see this. Provide basic amenities, respect the people’s fundamental human rights and create an enabling environment for the people. Simple. Everyone is happy.

But no. Politicians want to steal for themselves and generations unborn! The greed is appalling!”

 

Kate Henshaw

Nollywood actress Kate Henshaw took to X to vent her frustration over the electricity blackout that began in the early hours of the strike day.

“We have been in darkness since 5 am this morning… It started at 2 am oo so dem remember us late sef…They gave us 3 hours grace. My tired is tired with all the lies and greed TBH.”

 

Seun Kuti

During a live discussion on Instagram, singer Seun Kuti introduced the concept of a maximum wage, advocating that it should be tied to the minimum wage to prevent the devaluation of wage increases through inflation.

“I believe in a maximum wage but our maximum wage must be tied to our minimum wage.

If they increase the minimum wage, what would happen is that even if the government can put price control, the prices of things would shoot up exponentially so the minimum wage would immediately lose value.

We must put laws in place to make sure that the maximum wage is not 10 times more than the minimum wage.”

As negotiations continue, the voices of celebrities and public figures amplify the calls for substantial and lasting improvements to the living conditions and rights of Nigerian workers.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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