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MURIC tasks Makinde–”Don’t be Biased or Religious-based in selecting New Alaafin of Oyo”

Jenny Soul by Jenny Soul
September 20, 2023
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MURIC tasks Makinde–”Don’t be Biased or Religious-based in selecting New Alaafin of Oyo”
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The Muslim Rights Concern, on Wednesday charged Seyi Makinde, the governor of Oyo State to not be biased in law when choosing the next Aaafin of Oyo.

Professor Ishaq Akintola, Executive Director of MURIC, made this assertion as follows;

“There has been prolonged controversy over the right candidate to become the next Alaafin of Oyo since the demise of Oba Lamidi Adeyemi on April 22, 2022 at the age of 83.

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 “The authentic kingmakers of Oyo who are known as Oyomesi have kicked against the nomination of Archbishop Ayo Ladigbolu who is 85 years old for lack of due process.

“A document published in various newspapers two days ago and signed by the seven Oyomesi revealed that the candidate duly selected by the rightful kingmakers of the ancient town is Prince Lukman Adelodun Gbadegesin.

“The Oyomesi group affirmed that it had forwarded the name of Prince Gbadegesin to the governor since Oct.4, 2022,” he said.

Akintola added ”According to them, the Bashorun of Oyo, High Chief Yusuf Akinade Ayoola wrongfully picked another candidate, Archbishop Ayo Ladigbolu and filed a suit against them in court but he lost the case.

“This implies that the Alaafin throne has been vacant for almost one and a half years. We urge Makinde to make hay while the sun shines. It is now time to announce the name of the candidate picked by the Oyomesi and backed by the court’s pronouncement.

“Archbishop Ladigbolu’s attempt to come through the backdoor to the throne of the Alaafin of Oyo is illegal, illegitimate, unlawful and unconstitutional.

”Communal clashes which claim hundreds of lives and destroy properties worth billions of naira will be avoided if state governors respect the rule of law and follow due process. Vested interest from official circles in matters relating to tradition often end in tragedies.

“Tongues are wagging, not only in Oyo town but in the whole state as well as in the whole South West. This time around, Makinde has to prove that the label given to him as the governor who likes to install Christians only as Yoruba kings is unsuitable for him.”

 “This year alone, it happened in Ogbomosho where a Redeemed Church pastor, Afolabi Ghandi Olaoye, was crowned as king and in Iseyin where another pastor, David Olawale Oyebola has emerged the Aseyin.

“As a peace-loving and dialogue-inclined human rights organization, MURIC urges the state governor to allow the choice of the authentic kingmakers of Oyo town to prevail by announcing Prince Lukman Adelodun Gbadegesin as the next Alaafin of Oyo without any delay.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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