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Mohbad: Mohbad’s Mother Accuses His Father, Joseph Aloba Of Burying Him Alive

Jenny Soul by Jenny Soul
March 23, 2024
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Mohbad: Mohbad’s Mother Accuses His Father, Joseph Aloba Of Burying Him Alive
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Abosede, the mother of the late singer Ilerioluwa Aloba, popularly known as Mohbad, has made shocking allegations against the father, Joseph, claiming that he buried the late singer before his actual demise.

In an exclusive interview with Saturday PUNCH titled, “Uncensored: Mohbad’s mother opens up on late son, ex-husband, Naira Marley,” Abosede revealed that she was unaware of the day Mohbad passed away despite staying in Joseph’s house for 10 days shortly before the singer’s death.

“I actually did not know when my child (Mohbad) died. His father did not tell me. I was in his house for 10 days, shortly before he died. I ran back there when I heard that he had died. I was the one who called his father and siblings to inform them. I brought them all together. I called their father to come and see me with all the children despite all he had done to me. I did not have the strength to fight with him because I found happiness in my children, and because they are grown-up, I brought them all together. But, their father separated us. I believe that my son was not dead as of the time he was buried. I actually told them not to bury him, but they refused. If they had not buried him at the time he did, I believe he would have lived. Joseph is actually my problem. I believe that he buried my son before he died,” she added.

While Aloba cited Yoruba culture as the reason for the swift burial, explaining that it is customary not to delay the burial of a deceased person when both parents are still alive, he mentioned that if Mohbad had passed away at an older age, the option of keeping his body in a mortuary for a later date might have been considered.

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Aloba further disclosed that the land where his son was laid to rest belonged to Mohbad, and he had given it to him to build a church. He clarified that the decision to bury him swiftly was in accordance with Yoruba customs.

In his words:

“In Yoruba land, his corpse is not the kind to be kept when both of his parents are still alive. That land where Mohbad was buried is his only land, that is the only land I know him to have owned. Truly, he gave me the land to build my church because we had both agreed to build the church there and since that’s the only land I knew him to have.” 

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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