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Kano State High Court Restrains Dethroned Emir and Four Others from Parading as Monarchs

Jenny Soul by Jenny Soul
May 28, 2024
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Kano State High Court Restrains Dethroned Emir and Four Others from Parading as Monarchs
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On Monday, May 27, 2024, the Kano State High Court issued an order restraining the newly dethroned Emir of Kano, Aminu Ado Bayero, and four others from parading themselves as monarchs in the state.

The order was granted by Justice Aisha Adamu Aliyu following an ex parte motion filed by the state government.

The court’s decision mandates that all dethroned emirs cease acting in their official capacities and vacate their palaces immediately.

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Additionally, the Commissioner of Police in Kano has been instructed to take over the palace currently occupied by Ado Bayero and ensure his eviction.

The respondents in this case include the deposed Emirs of Karaye, Gaya, Bichi, Rano, Kano, as well as the Inspector General of Police (IGP), Director of the Department of State Services (DSS), Nigeria Security and Civil Defence Corps (NSCDC), and the Army.

The applicants are the Attorney General of Kano State, the Speaker of the House of Assembly, and the Kano State House of Assembly.

This judicial action follows Governor Abba Kabir Yusuf’s decision to sack Ado Bayero and four other emirs in the state.

The governor subsequently reinstated Muhammad Sanusi II, the former Governor of the Central Bank of Nigeria (CBN), as the 16th Emir of Kano.

The court ruling reads:

“That an order of interim injunction is hereby granted restraining the 1st, 2nd, 3rd 4th & 5th Defendants either by themselves, servants, privies, and or any other persons or officers serving under them or acting in connection with any other person from parading themselves as Emirs of Kano, Bichi, Gaya, Rano and Karaye pending the hearing and determination of the motion on notice filed by the Applicants.

“That an order is hereby granted to the extent that the Commissioner of Police Kano State should immediately take over the palace of the Emir of Kano situate being and lying at State Road Kano and evict the 1st Defendant/Respondent from the said palace pending the hearing and determination of the motion on notice dated 24th May, 2024. 

“That an order of this Hon. Court is hereby granted restraining the 1st, 2nd, 3rd 4th & 5th Defendants from parading themselves as Emirs of Kano, Bichi, Gaya, Rano and Karaye in the interest of peace in Kano pending the hearing and determination of the motion on notice.

“That an order is hereby made that 1st 5th Defendants be served through the office of the Commissioner Police, Kano State who is to ensure immediate implementation of the order of the Hon. Court in the interest of justice.

“That the motion on notice dated 24/05/2024 is adjourned to 11th June, 2024 for hearing.” 

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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