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John Cheeks Sues Powerball Lottery After He Won $320million And Was Denied The Prize Money

Jenny Soul by Jenny Soul
February 20, 2024
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John Cheeks Sues Powerball Lottery After He Won $320million And Was Denied The Prize Money
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The lottery company was sued by a Washington, D.C man for $340 million after the man claimed he was denied prize money despite having the winning numbers that were displayed on the website.

John Cheeks claimed that he purchased a lottery ticket on the 6th of January, 2023, and chose his numbers based on his family members’ birthdays.

He mentioned that he missed watching the live draw the following day but later found out that his numbers were the same as what he saw on the D.C lottery website which means he had won the money prize of $320 million.

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He said:  

‘I got a little excited, but I didn’t shout, I didn’t scream. I just politely called a friend. I took a picture as he recommended, and that was it. I went to sleep,’ 

The story got interesting when he explained that he woke some days later and found out that his number did not match with what the TV was showing as the draw anymore, whereas, his numbers were displayed for three days.

According to the case report filed, the lottery contractor, Taoti Enterprises, made a ‘mistake’ and posted the wrong winning numbers on the website.

Cheeks’ lawsuit has requested that Powerball pay him the winnings from the ticket he thought he held, plus an additional $72,000 per day of interest payments ‘due for failure to pay.’

The amount equals roughly $340 million.

According to the legal documents, Cheeks discovered his fortune was threatened after he went to a licensed lottery retailer, and his prize was denied.

He then moved on to the D.C. Office of Lottery and Gaming prize center, where he received another denial and a request from a claimed officer.

Cheeks said the officer told him that his ticket was invalid and that he should ‘just throw it in the trash can.’

Cheeks said he didn’t move quickly to claim his prize due to lack of time as he was busy with his job.

He explained that he is working on creating a home trust bank that would provide individuals with loans who don’t qualify for traditional mortgages.

He said:

‘The crisis of the homeownership situation here in the District, Virginia and Maryland. Tent cities over at the State Department. Tent cities at Union Station.’

After being told by the officer to trash his ticket, he said:

‘And I gave him a stern look. I said, “In the trash can?”‘ He then recalled the officer confirmed that he should throw the ticket away and said: ‘You’re not gonna get paid.’

Against the officer’s orders, Cheeks kept the ticket and stored it in a safe deposit box before he reached out to a lawyer for help. 

‘They have said that one of their contractors made a mistake. I haven’t seen the evidence to support that yet,’ Cheek’s lawyer, Richard Evans, told News4.

‘Even if a mistake was made, the question becomes: “What do you do about that?”‘ he said, before adding a similar case occurred in Iowa, and that the contractor paid the winnings out to the plaintiff.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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