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Ifu Ennada calls for support for Do2dtun over custody battle with ex-wife – “Children should not be used as pawns”

Jenny Soul by Jenny Soul
October 14, 2023
in Blog
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Ifu Ennada calls for support for Do2dtun over custody battle with ex-wife – “Children should not be used as pawns”
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Iheme Faith Uloma  well known as Ifu Ennada, a Nigerian actress and former Big Brother Naija housemate, Ifu Ennada has contributed her opinion in the ongoing child custody case between Oladotun Ojuolape aka Do2dtun who is an On Air Personal and his ex-wife, Omotayo Oyebanjo.

Recently on Instagram, a series of posts were made by the media personality where he occasionally shamed his ex-wife for not granting him access to see his daughters.

Ifu, added while pleading with netizens that they should not wait for any unusual thing to happen before making this a trend on social media, that netizens should start now to contribute their voices.

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Ifu explained that Dotun has every legal and paternal right to see his daughter because even the court supports this.

In reference to the in-laws who are strongly behind their daughter’s decision to deprive their father of seeing his children, Ifu added that she wondered what kind of spiritual life they have.

In her words, she wrote; “Justice For Dotun.
Let’s not wait until things get very ugly before we trend. JusticeForDotun.
That man has a right to see his children – there is even a court order in support of this. His situation is heartbreaking, and every receipt he’s dropped online shows how badly these people are treating him.

Is Nigeria now a jungle where people flout court orders?
Nobody is bigger than the law. Give that man access to his kids FFS!

“I read that his wife and in-laws are Christians.
What type of Christian behaves like a Tyrant?
Is this how Christ commanded us to carry ourselves as Christians?
Is it the same God we serve?
You can’t be a Christian and glorify Satan with your actions.
You can’t be a Christian only when it’s convenient for your ego.

“No matter the cause of the break-up, children should not be used as pawns in a bid to punish your Ex, especially one that really wants to be in their lives.
Justice For Dotun”.

Ifu went on to say that no matter the level of a disagreement between parents, their children should not be used as pawns as this may damage the children’s perception of life and upbringing entirely.

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Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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