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Ibadan: Yahoo Boy Stabbed Parents As Magic Failed

Jenny Soul by Jenny Soul
January 27, 2024
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Ibadan: Yahoo Boy Stabbed Parents As Magic Failed
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A 20 year old Yahoo boy has been arrested in Oyo State for stabbing his parents.

Daniel Bamidele is said to have sneaked into their home and attacked his parents with a machete. This was reported by The Nation Newspaper on 25th January, 2024

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According to the reports, Titilayo, Daniel’s mother ran out of their house while screaming for help as she was being chased by Daniel. This attracted passerby, who came to the rescue and held Daniel down and disposed of the weapon (machete) he was holding

While confessing to the deeds, Daniel said;

“I purposely lured my mother from a church programme she was attending, and as soon as we arrived home, I attacked her with a knife and was already inflicting cuts on her body when my father tried to save her from me.

“I attacked my father too because if I had not stabbed both of them, they would have succeeded in killing me.”

Daniel also said that he attacked his mother and father with a knife for giving him a fake name which caused the magic to be useless.

He also claimed that he made his elder brother his next of kin for his bank transactions but he discovered that his elder brother is trying to act smart

He said;

“I am a 200-level student of LAUTECH and I have built a three-bedroom bungalow from the money I made from doing yahoo business. I am angry with my parents, particularly my mother, for giving me a fake name instead of her real name.

There is a particular black magic soap that I have been using lately. The soap was given to me by the priest of a white garment church named Mathew.

I was the one who bought a generator for Pastor Mathew’s church around Ona Grammar School in Ogbomosho.

The soap was meant to bring me good fortune, but there was the need for me to call my mother’s name into it before it could work.

My mother told me that her name is Titilayo. But when I called the name into the soap, it did not work. Hence, I got angry and decided to stab her.”

However while narrating her own side of the story, Titilayo, Daniel’s mother said;

“I was called on the phone to come pick up my son from school at LAUTECH when he started exhibiting mental illness.

When we got home, his father brought a native medicine home and gave him to use. He slept off after taking the medicine.

However, when he woke up, he demanded the whereabouts of his phone and I told him I did not take his phone. He landed several blows on me.

He is a liar; I did not collect any money from him.”

Daniel’s father also accused his wife of being in the know of when Daniel started internet fraud and how he has built house for them.

He said;

“My wife was the one that indulged him (Daniel). She knew when her son started building a house, yet she did not tell me.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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