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House of Reps to investigate suspected exploitation of the N183.9 billion COVID-19 intervention Funds

Jenny Soul by Jenny Soul
October 18, 2023
in Blog, Politics
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House of Reps to investigate suspected exploitation of the N183.9 billion COVID-19 intervention Funds
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The Committee on Public Account has been requested by the House of Representatives to investigate illegal handling of COVID-19 intervention funds.

This was as a result of a motion Nyampa Zakari, a PDP member from Adamawa State, made during plenary on Tuesday.

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In his motion, he alleged that various ministries and groups had abused the COVID-19 intervention funds during the pandemic season.

Zakari stated that there was more than N183.9 billion set aside for the intervention funds and also, international donors also contributed to the course.

His words:

“The disruption of economic activity made it necessary to implement several programmes, laws, and interventions to help families, small enterprises, and public corporations and to strengthen their economies.

“To battle the COVID-19 pandemic on the populace, the Federal Government of Nigeria launched several initiatives, including financial provisions and money from international donor organisations.

“A sum of N83.9 billion was appropriated for the COVID-19 response in the 2020 Appropriation Act, as well as another sum of over N100 billion as intervention funds through the supplementary budget and international donor agencies,” the lawmaker added.

The alleged mishandling, according to Mr. Zakari, was detailed in one of the Auditor General’s reports.

He said that the poor handling would discourage future donations to Nigeria from donor organisations.

“Auditor-General’s report and other sources reveal that significant funds for COVID-19 palliatives and international donations were diverted and unaccounted for by various Ministries, Departments and Agencies of Government.

“Lack of proper accountability of funds allocated for COVID-19 intervention by the federal government and global donor agencies could potentially lead to negative economic ratings and loss of opportunities for Nigeria,” he said.

In support, Borno APC member Ahmed Jaha said since the House is accused of illegal use of funds, hence the situation should be investigated.

Mr. Jaha:

“If each constituency had received N500 million, just think of how many schools would have been constructed”

The House gave the committee the go-ahead to investigate the COVID-19 intervention funds given to federal ministries, departments, and agencies between 2020 and 2022 and submit a report for further legislative action within four weeks.

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Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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