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Former chairman of NDDC Blasts Peter Obi Over Tinubu’s Records – “Just go home, Peter. Put your feet up and enjoy your retirement…”

Jenny Soul by Jenny Soul
October 12, 2023
in Blog
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Former chairman of NDDC Blasts Peter Obi Over Tinubu’s Records – “Just go home, Peter. Put your feet up and enjoy your retirement…”
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Lauretta Onochie, the former chairman of the Niger Delta Development Commission (NDDC) governing board has blasted Peter Obi, the Labour Party presidential candidate saying that he will never become president of the Federal Republic of Nigeria.

On Wednesday, following the controversy surrounding president Bola Ahmed Tinubu’s academic record at the Chicago State University, Peter Obi had asked him to disclose his true academic records to Nigerians.

In a response to the Labour Party’s presidential candidate’s speech, Onochie Lauretta, the former NDDC board chairman had said “Go home, Peter,” in a string of tweets published via her profile on X (formerly Twitter). The great nation of ours will never name you president. You don’t deserve to be the leader of our country, aside from the fact that you finished far behind. Your character and mannerisms are not what a diverse country like Nigeria needs to lead. “.

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She mentioned that the southeast was turned into a war zone when overseen by Peter Obi as the governor of Anambra.

She said “Anambra, you did not succeed. The South-east has turned into a war zone right under your nose, and you can’t even lead it. A thriving economy based on labour-intensive work was destroyed. People lose their lives and their property. Put aside your desperation. Your goals are higher than you merit. It is not going to happen. “

She called Obi’s statement regarding Tinubu’s educational record “the most idiotic request” and dreadly criticised it.

Additionally she said

“Dear Peter Obi, You have shamelessly just gone on national TV to call on the President of Nigeria, Bola Ahmed Tinubu, to reveal his identity to Nigerians and the world.

“This is the most idiotic request, Nigerians have had the misfortune of hearing from one, whose advisers are people with mental health issues.

“How can you allow yourself to be used to question the identity of a man, who has been in the limelight since his youth?” she asked.

The tweets read further, “How can you come low to the level of your gullible followers to begin this late in the day, to question the identity of a man who was checked by our security operatives and cleared twice to govern the most successful and cosmopolitan state in Nigeria, Lagos?

“If you can come on national TV to question the identity of a man who was cleared by all our security operatives to become a Senator of the Federal Republic of Nigeria, that’s enough justification and validation for your resounding rejection at the polls in 2023.”

“Finally, you want to know our president’s true identity. Well, his real name is, Nemesis Jupiter. His father Karma, is the King of Jupiter who married Nemesis’ mother from Mars. When Mr. President was 25 years old, his family came from Jupiter to swim at the bar beach in Lagos. They left him at the bar beach to fend for himself. So at 25, he did not go to primary, secondary or any tertiary institution. I hope you’re happy now.

“Just go home, Peter. Put your feet up and enjoy your retirement and grandchildren as I’m doing.”

Leaving the space after pouring her discontent for the Labour Party’s presidential candidate’s speech, Onochie advised him to go home and enjoy the bliss of his family and grandchildren just as she has set as an example for him.

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Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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