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Femi Otedola Accuses Zenith Bank of Multibillion-Naira Fraud, Case Under Investigation

Jenny Soul by Jenny Soul
June 6, 2024
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The conflict between billionaire Femi Otedola and Jim Ovia, chairman of Zenith Bank, has intensified over allegations of a multibillion-naira fraud.

Otedola has accused Zenith Bank of using his company Seaforce Shipping Limited’s account for trading activities in 2011 without his consent or knowledge.

These serious allegations are currently being investigated by the Force Criminal Investigation Department (FCID) of the police, although there are ongoing efforts to resolve the issue amicably.

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Jim Ovia and Zenith Bank have yet to issue a comment regarding the accusations. Otedola claims that Seaforce Shipping’s account, which had been inactive since 2010, was used for unauthorized trading.

He asserts that Seaforce never applied for or received any loans from Zenith Bank, yet billions of naira were traded on the account without his authorization.

When asked to provide documentation, such as offer letters for the alleged loans, Zenith Bank reportedly failed to comply. Otedola discovered the suspicious activities only recently, 13 years after they occurred, following a tip-off from a whistleblower within the bank. Upon confronting Zenith Bank officials, Otedola reports that they apologized.

Otedola provided a letter dated March 19, 2018, from Zenith Bank to Seaforce’s auditors, indicating a debt of N2,278,420. This figure starkly contrasted with the N5 billion recorded in the bank statement seen by TheCable.

On the date the letter was issued, the bank statement actually showed a debt of N2.9 billion, significantly different from the N2 million stated in the letter, which was signed by Taofik Bashir (internal audit control) and Edwin Kind Olie (group head, telecom).

Over N16 billion in transactions were recorded against Seaforce’s account from 2011 to 2024. Otedola questioned who made the payments that reduced the debt from N16.9 billion to N11 billion, as he was unaware of these transactions.

Several large credits were recorded on the account in 2011, including N77 million on April 18, N119 million on December 1, N316 million on December 8, N266 million on December 15, and N444 million on December 12. Consequently, Seaforce now has a debt of N5.9 billion, primarily due to interest charges.

A senior official from Zenith Bank has already been questioned by the police. Meanwhile, Otedola’s companies—Zenon, Seaforce, Luzon Oil and Gas, and Garment Care Limited—have obtained a federal high court injunction against Zenith Bank, Quantum Zenith Securities and Investment, Veritas Registrar, and Central Securities Clearing System.

This injunction prevents these entities from trading shares or paying dividends until the hearing of the motion on notice for an interlocutory injunction.

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Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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