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“Everyone Knows You’re Wicked” – Angela Okorie Continues to Criticize Zubby Michael

Jenny Soul by Jenny Soul
April 20, 2024
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“Everyone Knows You’re Wicked” – Angela Okorie Continues to Criticize Zubby Michael
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Nollywood actress Angela Okorie shows no signs of relenting in her criticism of her colleague Zubby Michael, particularly in light of their late colleague Junior Pope.

In a series of Instagram posts, Angela voiced her thoughts, labeling Michael as wicked for his alleged lack of support toward Junior Pope while he was alive.

She questioned Michael’s sincerity in mourning Pope’s passing, highlighting his apparent failure to celebrate Pope’s achievements during his lifetime.

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Angela reiterated her stance, emphasizing that Michael’s actions, or lack thereof, spoke volumes about his character. She suggested that Michael was avoiding something significant, adding to the speculation surrounding their relationship.

In her words:

“You don’t celebrate your people when they are alive or when they win. Na when they die you go celebrate them?? Cos there’s no sympathy even in some post. Like is not about posting, Zubby has never celebrated JP his best man, so why d heck will e post him now. Everybody knows Zubby is wicked no be by posting or no post I repeat he knows what he is running from

No King reigns forever. You go reign pass, other people go come reign pass. The only thing that will remain when you are gone is your legacy”..

In another post, Angela reflected on the fleeting nature of human compassion, urging her followers to cherish life and prioritize self-preservation. She warned against the callousness of the world and urged vigilance against those who may wish harm.

She continued:

“If you know how quick people move on when people die, you gonna do everything to stay alive. Pray hard, this cruel world is danm wicked. That’s why I put my enemy to you people’s faces so y’all will see just in case these are the people to burn down.

If your friends or family don’t thank God that you are in their lives. phyuk am.

Especially when you are a good person. phyuk them”.

She added that she has touched every lives she has come across as she advised on the need go speak up. She stressed that life is worth living as such one should live every moment in happiness, love, and peace of mind.

“So come correct. One thing about me am so real and too good like every life I have come across I have touched one way or the other. I can’t be around fake Ndi ara. Once my spirit and physical being reject you it’s over.

If anything is going on, speak up. A closed mouth is a closed destiny. Life is for living, love, care, happiness, peace of mind Dearies. Living is worth living”.

Asserting her own authenticity and positive influence on others, she emphasized the importance of speaking up and living life to the fullest. She encouraged happiness, love, and peace of mind, stressing the value of every moment lived authentically.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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