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Boko Haram – NYSC Resumes Orientation In Maiduguri After 12 Years

Jenny Soul by Jenny Soul
September 4, 2023
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Boko Haram – NYSC Resumes Orientation In Maiduguri After 12 Years
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The National Youth Service Corps has resumed orientation camping in Maiduguri, the Borno State capital, after being shut down for 12 years due to the Boko Haram insurgency.

The NYSC Orientation camp, located along Kano Road, was shut down in 2012 during the height of the Boko Haram insurgency due to fears expressed by Nigerians over the safety of their wards.

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Due to years of inactivity, the NYSC camp was later converted to an Internally Displaced Persons (IDPS) camp, where IDPs from Damboa, Gwoza and Konduga took refuge.

With the return of peace, camping activities have resumed, with corps members deployed to Borno State for the one year mandatory service.

Governor Babagana Zulum described the Batch B Stream 2 orientation course as historic and special, having marked the end of perennial dislodgement of corps members from the state.

The governor noted that the absence of corps members has denied the people of the state the right to enjoy auxiliary services from the scheme and the opportunity to share different norms, customs and cultures across the country.

Governor Zulum promised to engage the corps members, especially medical doctors and other frontline health workers, to contribute in critical areas of the state.

He also promised to reconstruct the NYSC permanent orientation camp, which has become a shadow of itself due to the long stays of IDPs overstretching the facility.

State Coordinator of NYSC, Comrade Mohammed Adamu, said a total of 1,125 prospective corps members have so far registered, comprising 629 males and 496 females, adding that none have reported any form of security threat in the course of their journey to the state.

The coordinator commended the military and other security agencies for ensuring that the camp and its environs were safe and secure.

Chairman of the NYSC Governing Board, Alhaji Mohammed Bukar, remarked that the state has been prompt in payment of allowances to the members, urging them not to relocate to other states for any reason at all.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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