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Bella Shmurda — “Bring out those who maltreated Mohbad when he was alive”

Jenny Soul by Jenny Soul
September 22, 2023
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Bella Shmurda — “Bring out those who maltreated Mohbad when he was alive”
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Bella Shmurda, a popular Nigerian artiste and a friend of the deceased Mohbad, has urged the Nigerian government to arrest all those who harassed and allegedly mistreated Mohbad before he died untimely.

This appeal has ignited the interests of many netizens to dig more into the cause of the artiste’s death.

Bella Shmurda on his social media profile has signified his unwavering zeal to unearth the truth behind every cruelty that was committed against Mohbad during his time on earth.

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In his post, he emphasized that time is important and that a “delayed justice is injustice”.

In his words, he said, “Bring out those who oppressed and maltreated the hell out of him when he was alive; that’s the goal. Autopsy or not, he no concern me, unless our government doesn’t have feelings.”

Delayed justice is injustice. Bring out those who oppressed and maltreated the hell out of him when he was alive that the goal. Autopsy or not he no concern me, Unless our govt don’t have feelings.”

So many netizens have flooded the comment section and it appears that netizens are in total agreement with what he said. 

Some reacting to the post:

@Its _ereko said: “The Father. The Girlfriend. Naira Marley. Zino. Sammy Larry. Naira Marley brother. Zino Girlfriend. every one of them should be investigated. Including the guy shouting mohbad is dead in that video. DNA test should be done. IMOLE MUST GET JUSTICE.”

@YemiFirstson reacted: “I heard Naira Marley is back in naija.”

@communicat reacted: “In case they need evidences, this is one of the videos where Mohbad named people who assulted him; Naira Marley boys including Zinoleesky. Sam Larry own too dey.”

@YemiFirstson commented: “With the way the world is talking about him, he will surely get justice.”

@Peewince1 commented: “Delayed justice is injustice.”

@Tbillion40 reacted: “This is exactly the justice we want. Autopsy or not. Those that bullied him should be punished.”

@zamani281 commented: “It’s very clear who the culprits are, make they carry them come.”

@KingKudos commented: “Yes, we want Naira Marley, Zino and Sammy Larry to be declared wanted please.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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