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“A man who marries a woman who twerks online for a living is a fool” – Solomon Buchi

Jenny Soul by Jenny Soul
April 19, 2024
in Blog
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“A man who marries a woman who twerks online for a living is a fool” – Solomon Buchi
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Renowned life coach and author Solomon Buchi expressed his belief that any man who chooses to marry a woman who earns a living by twerking online is making a foolish decision.

Buchi argued that such women are unlikely to remain faithful, questioning their suitability for the roles of wife and mother.

In his post, Buchi emphasized the importance of conservatism in marriage, suggesting that wives should embody a sense of value and modesty rather than indulging in overt sexual displays.

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He asserted that marriage requires a certain level of decorum, implying that women who engage in online twerking lack the necessary qualities to be considered as suitable partners for a committed relationship.

Read the post;

”A man who marries a woman who twerks online for a living is a fool. It’s like demanding fidelity from a stripper —or expecting an aeroplane from a seaport.

Any woman who shamelessly sells sensuality through dance, music or any other content style has no business getting married, and you have no business marrying her. Why marry a wh*re and complain she’s a wh*re?

Marriage demands basic conservatism—wives must carry themselves like priceless gifts, without s3xual flamboyance; modest and worthy of emulation by younger women. Your body belongs to your husband and vice versa, and flaunting it for strangers is gross irreverence for marital sanctity. If she can shake her bum for strangers, she will possibly shake it for a strange man, and the strange man will ‘jokingly’ touch her, and they’ll ’jokingly’ commit adultery.

And you are the fool that married her because you believe that external conduct does not matter. No well-thinking and raised man marries a woman who’s loose and cannot be a good perfect model to his daughters. Unless he’s not committed to the marriage, but if he is, one day, he will get tired and want out. Marriage is not child’s play. “I know a lady who’s a pr*stitute and has a happy home.”

That’s absolute nonsense! Absolute rubbish. If you’re shaking your bum online, you CANNOT be a good wife and mother. Argue with me, but life doesn’t care about exceptions. Stop defending immorality.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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