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Bride Calls Off Wedding Because Groom Refused To Move Out Of His Parents’ Home

Jenny Soul by Jenny Soul
May 11, 2024
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Bride Calls Off Wedding Because Groom Refused To Move Out Of His Parents’ Home
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A Nigerian woman, Florence Friday, reportedly called off her wedding due to her groom’s reluctance to move out of his family home and rent an apartment.

The wedding, initially set for May 4th, 2024, in Farin Lamba, Vom, Jos South Local Government Area of Plateau State, was allegedly cancelled over a month prior, according to her cousin, Anny Roberts. Contrary to earlier reports, the cancellation was not abrupt but stemmed from various issues.

Florence had allegedly asked for N30,000 to book her wedding gown, receiving only half from the groom, Morgak James Seri, prompting tension.

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Furthermore, Florence requested Morgak to move out of his family home and rent an apartment, leading to disagreements despite prior agreements.

According to Naomi Kareem, Florence’s cousin, Morgak pressured her to marry quickly so she could care for his sick parents. The groom’s cousin, Gotau Nenpoji Gotau, corroborated that the wedding was called off due to Florence’s insistence on Morgak renting an apartment.

 According to Morgak,

“It all started like a joke. In about two weeks to the wedding, one faithful day while they were on phone call gisting about their wedding plans. She then ask him a question, where did you say we are going to stay after our wedding. He replied; at Vom. and she ask, with your parents? He answered yes, and further said, but for just two months so i can figure out what next, probably to rent a place in Vom since that’s where i make my earns need. Then he ask, why is she asking him that question when they have discuss about it already. She said she is no longer inline with that agreement and insisted that he must rent a house before the wedding date, with emphasis that the house must be rented in Jos not Vom,” he narrated. 

“Politely, he responded; we will rent a house wherever you so wish and desire but after the wedding, because I have a lot of things to put in place at the moment before the wedding date which you’re aware, he said!

“He even went too weird to calculate for her what her family ask him to provide before he comes to pick her the day before the D-Day (eve) and it cost more than 500k (+ T.P) aside from the wedding plan itself.

“Upon that, she still insist that he must rent the house “IF NOT NO WEDDING”. He again reminded her of their agreement to stay for two months in the family house after the wedding before parking out and sequel to that, renting a house now will be more or less economic illiteracy and again at a peak of this hard time, his strength can’t shoulder that burden and it’s too late to go about looking for a house prompt to the wedding date. 

“He further said, beside what is the essence of renting a house in Jos when none of them is working or running any business there. He could have consider that option if any of them is working in Jos or running any business there. But she said she is not going to stay in the village and that’s her final.” 

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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