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Actress Sharon Stone Accuses Late Robert Evans of Pressuring Her to Have Sex with ‘Sliver’ Co-star Actor, Billy Baldwin

Jenny Soul by Jenny Soul
March 13, 2024
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Actress Sharon Stone Accuses Late Robert Evans of Pressuring Her to Have Sex with ‘Sliver’ Co-star Actor, Billy Baldwin
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Renowned American actress Sharon Stone recently made allegations against the late movie producer Robert Evans, claiming that he pressured her into having a sexual encounter with her costar Billy Baldwin to purportedly enhance his acting performance in the 1993 film “Sliver.”

Stone, known for her candidness, disclosed this encounter in her 2021 memoir without initially revealing the identities of those involved.

Evans, a prominent figure in Hollywood who oversaw production at Paramount, passed away in 2019 at the age of 89.

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During the Tuesday’s episode of Spotify’s Louis Theroux Podcast, the actress said  “should’ve been on set” but was called into Evans’ office to discuss her chemistry with Baldwin, 61.

“He’s running around his office in his sunglasses, explaining to me that he slept with Ava Gardner and I should sleep with Billy Baldwin because if I slept with Billy Baldwin, Billy Baldwin’s performance would get better,” Stone recalled of their alleged conversation. “And we needed Billy to get better in the movie because that was the problem.”

According to Stone, Evans’ logic was, “If I could sleep with Billy, then we would have chemistry onscreen, and if I would just have sex with him then that would save the movie.”

“And the real problem in the movie was me because I was so uptight, and so not like a real actress, who could just f— him and get things back on track. And the real problem is that I was such a tight ass,” 

She further said,

“wouldn’t listen to the list of actors that I suggested for the part,” and insisted on casting Baldwin instead.

The actor believes the studio bosses were to blame for their poor casting decisions. “I didn’t have to fuck Michael Douglas. Michael could come to work and know how to hit those marks, and do that line, and rehearse and show up.

“Now all of a sudden I’m in the ‘I have to fuck people’ business.”

She mentioned in her memoir ‘The Beauty Of Living Twice‘ that she had been approached many times by producers concerning her co-stars and this sex issue.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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