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Grammy Award CEO, Harvey Mason Reveals Criteria Used In Selecting Winners For The Awards

Jenny Soul by Jenny Soul
February 7, 2024
in Blog, Music
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Grammy Award CEO, Harvey Mason Reveals Criteria Used In Selecting Winners For The Awards
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The Chief Executive Officer for the Recording Academy, Harvey Mason Jr. has revealed the criteria used in selecting winners for the 2024 Grammy Award.

In a video posted online, Harvey Mason revealed that having a vast audience does not qualify one for the award, and neither does selling millions of copies of albums.

Recall that the 2024 Grammy Award was held last Sunday, 4th February 2024 at the crypto.com Arena in Los Angeles, United States. Also, recall that after the award was presented to the ‘qualified’ winners, lots of people especially in the African diaspora complained that there was a bias in the selection method as most African music lords were not selected. Nigerian top artists like Burna Boy, Davido, Tems, Olamide, etc did not receive any awards despite being nominated on different nomination counts. 

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To clear the airways and let the public know that there was no bias in the selection process, Harvey Jason, the Chief Executive Officer for the Recording Academy has sent a video, explaining the selection process and method. Watch the video here

Furthermore, Mason said;

“First you have to understand, that the only way to win a Grammy is to have the Membership of the Academy vote for you,”

“In order to be a member of the Academy you have to be a music professional working in the United States, for now. For now, it’s only in the United States of America, hopefully, we grow then. Right now, if you are a working professional in the USA you can become a member of the Recording Academy

“Once you are a member of the Academy, all the music is submitted the members listen to it and they evaluate it based on the quality of the art not the sales, not the streams not on the followers or how many fans… it is purely on the art.

“It’s purely on the opinion and as you all know it is very hard because it is subjective. There is no best song, best record it is just the opinion of the Membership in that particular year. That is how you win a Grammy and that is it.

“The voters vote, there is no committee, there is no journalist, no labels just music professionals voting for their peers, period.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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