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“I was never molested or s*xually abused by any agent or officer of the DSS”. – Sunday Igboho’s Female Associate Refuted Claims of Sexual Molestation by DSS

Jenny Soul by Jenny Soul
January 26, 2024
in Blog
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“I was never molested or s*xually abused by any agent or officer of the DSS”. – Sunday Igboho’s Female Associate Refuted Claims of Sexual Molestation by DSS
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The female associate of Chief Sunday Adeyemo well known as Sunday Igboho has disregarded the allegations of being sexually molested by the Department of State Security (DSS) during her stay in their custody.

Ms. Hamudat Babatunde was among the people that were arrested at the residence of Adeyemo in Ibadan on July 1, 2021 for a peaceful agitation for Yoruba nation under the leadership of Prof. Banji Akintoye and Chief Sunday Igboho.

In a video seen online, Hamudat expressed that the report that she was tear-gassed in her private part by the DSS during her stay in the DSS custody was all false.

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She stated that being a woman in an African society is enough reason why no woman will defame herself with such allegations, she also called that Adebare, a social media activist who had spread the news be investigated.

In her words: “This spurious and malicious allegation by Adebare, who has dedicated his Facebook page to destroy my integrity and disseminate blatant lies about the DSS, must be investigated”.

Recall that Hamudat and 11 others were granted bail by the Federal High Court in Abuja.

She claimed that the news had left her dumbfounded and beckoned on the police and other security agency to investigate the matter.

Read the full statement below:

“Though I spent 118 days in DSS custody after our arrest at Chief Sunday Adeyemo’s residence in Ibadan, I was never molested or s*xually abused by any agent or officer of the DSS. The man making this false claim must be arrested to face justice for choosing to spread falsehood to the public about the activities of the security agency.

“I have been traumatised and many people have been calling me about this destructive mission by Adebare. I’m a woman and any responsible woman worth her salt will not take kindly to action capable of impugning her womanhood in African society. This spurious and malicious allegation by Adebare, who has dedicated his Facebook page to destroy my integrity and disseminate blatant lies about the DSS, must be investigated.

“I have no regret being part of the peaceful agitation for Yoruba nation under the leadership of Prof. Banji Akintoye and Chief Sunday Igboho because our cause was constitutional, just and tenable.

“More importantly, the DSS should not allow this campaign of calumny against their organisation go without taking decisive action to bring the perpetrator to justice as a deterrent to others.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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