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“I got tired for real, for real. I never felt like that in my life. I was done” – Peruzzi Opens Up On Why He Dropped Out Of Medical School

Jenny Soul by Jenny Soul
December 20, 2023
in Blog, Music
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“I got tired for real, for real. I never felt like that in my life. I was done” – Peruzzi Opens Up On Why He Dropped Out Of Medical School
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Nigerian artiste and songwriter Peruzzi has narrated his story of how he dropped out of medical school in his final year.

On the Zero Conditions Podcast, he narrated that he was mentally exhausted in his pursuit for medical knowledge.

According to the artiste, he studied Medicine and Surgery in Ukraine at the Odesa National University. He said he studied hard but the pressure from the course was too much so he was prompted to return to Nigeria in his fifth year. He said:

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“I got tired for real, for real. I never felt like that in my life. I was done, like everything about me, in my head, I was done with medicine. And that was when I was about to start my final year so it was a lot. I had written my first MD already at the time. It wasn’t about how long I had left at the time, it was about me not wanting to do anything again. I didn’t want to do it anymore”

 He expressed that he was able to tell his mother about the pressure, but she gave him one condition to return back with his school result.

He continued: “I really got tired, my entire being was tired so I left on the first of January and I didn’t even have my passport, I had lost it. So I went to the embassy and they gave me a travel letter because I needed to leave that urgently. When I got back the only person I told was my mum. I was able to explain how bad I was feeling and she said I should make sure to come back with my school result and everything from the first year to show that I was in school so I did.”

He explained that in all of this his father had no idea and his mother also didn’t tell him, until some members of his father’s church began to raise rumours that he had dropped out of school as he was at home during a non-holiday period.

Concluding the narration, it appeared that the artiste has no remorse for dropping of Medical School as he had continued to pursue his love for music.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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