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Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman

Jenny Soul by Jenny Soul
February 22, 2020
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Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman
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Veteran Nollywood  Actor, Pete Edochie is in the news this time for a controversial statement  he made in a trendy video on men kneeling down to propose to their intended. In fact there is a Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman.

Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman
Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman

 

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Pete Edochie, who has basically acted as a traditionalist in most of his movies, ranging from the  days of his role in the Chinua Achebe’s Novel turned series  “Things fall apart”, has come out  to say that he finds it absurd with the younger generation trend of kneeling to propose to the woman they want to marry. In his words, any man who does that is an idiot and a compound born fool

 

In the Video, where he was interviewed to speak on the Igbo Culture, he voiced out that it was not in the Igbo culture for a man to kneel before his bride to be.  Edochie has admonished igbo elders and told them to correct the younger men of this generation  who have imbibed the  western culture of going down on one knee to propose to their bride to be

 

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The actor explained that kneeling down in front of a lady in Igbo tradition means handing over the authority to her. The actor said it is totally wrong for an Igbo man to kneel before his bride.
However, this Statement has sparked off controversy as some celebrities have come out to say that they disagree with the the Actor. One of such celebrities of course is Daddy freeze who through social media have opposed what Pete Edochie said.
Daddy freeze took to his  Instagram handle and said in a video  ” with no disrespect to you sir, if you consider kneeling down before one’s bride to be a western thing, let’s start with your name PETE which is western and christian. i think some of our traditions are wicked and should be done away. If you consider a man who kneels before a woman a Compound Born Fool, what do you say about men who marry under age girls or traditions where women are forced to drink the bathing water of their Late husband’s  corpse, those sort of people doing such are the ones to be called born fools”

Still on the Controversy as Pete Edochie says it is wrong for a man to kneel and propose to a woman, Daddy Freeze asked Pete Edochie to be like Mary Slessor and help do away with some of these horrible African traditions.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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