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“Liam has ‘bow legs’. We don’t have bow legs in The Aloba family.” – Mohbad’s Father to Wunmi

Jenny Soul by Jenny Soul
May 21, 2024
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DNA Saga: Court Orders Substituted Service for Mohbad’s Wife in DNA Case
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Joseph Aloba, the father of the late Nigerian musician Mohbad, has voiced his doubts regarding the paternity of Mohbad’s alleged son, Liam.

In a recent audio interview, Aloba openly expressed his belief that his wife’s concubine was involved in Mohbad’s death. He emphasized the need for a DNA test to confirm Liam’s paternity, recalling that Wunmi, Mohbad’s partner, had previously claimed Mohbad deflowered her.

Mr. Aloba questioned why Wunmi was avoiding the DNA test if she was confident in her claims. He pointed out that Liam has bow legs, a trait not present in the Aloba family, suggesting this as another reason to doubt the child’s paternity.

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He urged Wunmi to identify the boy’s real father and expressed his sorrow over the loss of Mohbad, condemning those he believes were responsible for his son’s untimely death. Furthermore, He made it clear that he would not accept Liam as his grandchild, noting that Mohbad himself did not recognize Liam as his son while he was alive.

According to Mr. Joseph Aloba;

“All The names Mohbad mentioned in the petition he wrote, were involved in his de*th. I still insist that his wife’s concubine k!lled him. This is why DNA is a must.

Wunmi said my son deflowered her so why is she running away from DNA? Liam has ‘bow legs’. We don’t have bow legs in The Aloba family. She should take the boy to his father. It is so sad that these w! cked people k!Iled my son at his prime. Nigerians should please support me as I fight for Justice for my son”

However, recall that in the beginning of April 2024, Mohbad’s dad had been heard stating that even though he knew that Liam was his grandson, Wunmi should do the DNA test for Nigerians. He maintained that it was important for Wunmi to satisfy the curiosity of concerned Nigerians.”

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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