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Fubara Criticizes Wike Over Rivers State’s Heavy Debt

Jenny Soul by Jenny Soul
May 15, 2024
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Fubara Criticizes Wike Over Rivers State’s Heavy Debt
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On Tuesday, Rivers State Governor Siminalayi Fubara revealed that his administration inherited a significant debt burden from projects initiated by his predecessor, Nyesom Wike.

Fubara stated that numerous contractors from Wike’s administration are demanding balance payments amounting to billions of naira. This revelation has intensified the ongoing rift between Fubara and Wike, his predecessor and estranged political mentor.

Wike, often referred to as “Mr. Projects,” was known for his extensive development initiatives, including the construction of 12 flyovers. He frequently invited dignitaries, including President Bola Tinubu, to inaugurate these projects before he left office.

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Wike had claimed that he had fully paid for these projects, thanking former President Muhammadu Buhari for settling the arrears of the 13% allocation owed to Niger Delta states since 1999.

Fubara, who served as the state’s Accountant-General during Wike’s tenure, announced his intention to probe Wike’s eight-year administration.

Speaking on Monday during the swearing-in of Dagogo Iboroma as the new Attorney-General and Commissioner for Justice, Fubara disclosed plans to establish a judicial panel of inquiry to investigate the previous administration’s governance.

Further highlighting the debt issue, Fubara lamented during the inauguration of the reconstructed 10.89km Aleto-Ogale-Ebubu-Eteo Road in Eleme Local Government Area that contractors are continuously demanding their payments. Abia State Governor Dr. Alex Otti attended the ceremony as a special guest.

Fubara stated, “This is to let the world know that the biggest challenge this administration faces is the huge debt burden. For most of the projects being inaugurated, contractors are demanding balance payments, which run into billions. I was part of that system, so I refrained from speaking out, but I must inform the public about the true situation.”

In a statement issued by Chief Press Secretary Nelson Chukwudi, Fubara emphasized the discrepancy between the public perception of a debt-free state and the reality of significant outstanding payments to contractors.

Despite these challenges, Fubara expressed his joy at starting his administration’s first anniversary celebrations with the inauguration of a road project in Eleme, where he began his career.

He highlighted that the road project, awarded on August 14, 2023, to China Civil Engineering Construction Corporation (CCECC) for N6.7 billion, was fully paid for. “This road project was awarded during my tenure, and we have paid the contractor in full. This demonstrates our commitment to addressing the people’s problems,” Fubara said.

He described the road as a necessary bypass to alleviate traffic on the East-West Road, which is under reconstruction. Fubara framed this project as support for the Federal Government’s efforts to improve Nigerians’ lives.

“What we are doing today supports the Federal Government and shows that we prioritize the people’s interests. While some make unfounded claims, our actions speak louder than words,” Fubara stated.

Addressing allegations that he was instigating a conflict with the Federal Government, Fubara responded, “We appreciate the Federal Government’s support, but internal saboteurs are creating distractions. This situation undermines our efforts to deliver on our promises.”

Fubara thanked the Eleme community for their cooperation during the project’s execution, noting that the contractor faced no local challenges. He praised Governor Otti for his pragmatic approach to governance, contrasting him with others who talk without taking action.

Governor Otti, while inaugurating the project, congratulated Fubara for his achievements and for prioritizing the Eleme community. “Leadership is about service to the people, not self-interest. Governor Fubara has shown that he is prepared and focused on improving the welfare of Rivers State’s citizens,” Otti said.

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Jenny Soul

Jenny Soul

Jenny Soul is a passionate relationships expert, dating counselor and sales coach. She is also a songwriter, performer and mum. When she is not writing, she engages in counselling sessions and motivational speeches to young people.

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Nigerian music industry is mourning the loss of one of its cultural giants. Alhaji Ismaila Dele Bello, popularly known as Ahuja Bello, passed away on Monday, August 25, 2025, at the age of 83. His son, Adetunji Bello, confirmed the sad news, revealing that the juju legend died peacefully in his sleep—just a day after celebrating his birthday. For many Nigerians, especially those who lived through the golden era of the 1970s and 1980s, the name Ahuja Bello evokes nostalgia. His music was the sound of celebration, a rhythm that echoed at weddings, naming ceremonies, and late-night parties. His passing is not only a personal loss for his family but also a cultural one for Nigeria’s rich musical heritage. Born on August 24, 1942, in Iseyin, Oyo State, Ahuja Bello was destined for music. Juju, a genre deeply rooted in Yoruba tradition, became the canvas on which he painted his artistry. Unlike many who treated music as a side hustle, Bello embraced it as a calling. By the mid-1970s, Bello had carved a niche for himself with his energetic stage performances, rich guitar work, and soulful lyrics. He was not just a performer; he was an experience. Fans adored his ability to connect with the crowd, blending traditional Yoruba rhythms with modern influences that kept his sound refreshing and timeless. Top 5 Most Visited Countries For Tourism Worldwide - JennySoul.com The 1970s and 1980s were a defining period for juju music, with legends like King Sunny Adé and Chief Ebenezer Obey dominating the scene. Yet, Ahuja Bello held his ground, building a loyal following that admired his originality and charisma. His concerts were more than entertainment—they were community gatherings. Every strum of his guitar carried messages of joy, resilience, and cultural pride. For many families, his songs became the soundtrack of their most memorable life events. One of the highlights of his career was his encounter with reggae icon Bob Marley during a trip to London. Though brief, this meeting symbolized the global relevance of Nigerian music long before the Afrobeats wave. Bello’s artistry showed that African sounds had the power to resonate beyond borders. Tragedy struck in 1982, when Ahuja Bello was involved in a serious accident. At the time, he was at the height of his career, commanding large crowds and dominating the juju scene. The accident slowed his performances and significantly altered his musical journey. For many musicians, such a setback might have marked the end. But Bello’s earlier contributions had already etched his name into Nigerian music history. Even though his stage appearances became limited, his influence continued. His recordings lived on, and his legacy inspired younger artists who admired his dedication to the craft. The death of Ahuja Bello is not just the passing of a man—it is the closing of a chapter in Nigeria’s musical story. His life represents an era when juju music carried social messages, celebrated culture, and served as a unifying force for communities. For older generations, Bello’s passing feels deeply personal. His music was woven into everyday life, from radio airwaves to live performances at social gatherings. For younger Nigerians, his story is a reminder of the roots of contemporary Nigerian music, proving that today’s Afrobeats giants stand on the shoulders of pioneers like him. As tributes pour in, fans, fellow musicians, and cultural associations describe Bello as a cultural custodian who never lost sight of his Yoruba identity. His songs celebrated resilience and tradition, ensuring that juju music remained relevant through the decades. Even in death, Bello’s music continues to breathe life into celebrations. His legacy shows that while people may pass, music remains immortal. Every strum of a juju guitar, every drumbeat at a Yoruba gathering, and every nostalgic radio replay will continue to carry Ahuja Bello’s spirit. The passing of Ahuja Bello at 83 is both a moment of mourning and a celebration of a life well lived. From Iseyin to international stages, from local dance halls to cultural milestones, Bello gave Nigerians more than music—he gave them memories. Though his journey was interrupted by tragedy, his impact remains unshaken. His career serves as a reminder that legacy is not measured by longevity alone but by the footprints left on culture. As Nigeria reflects on his contributions, one truth becomes clear: Ahuja Bello may have taken his final bow, but the music never ends. Rest in peace, Ahuja Bello. The juju lives on.
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